Best Bach Cantata
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The visual wizards at Fly On The Wall have been capturing outstanding musical performances, and this one is no exception. Countertenor Tim Mead takes centre stage in this glorious reading of the first movement of Bach's cantata 'Vergnügte Ruh, beliebte Seelenlust'.
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This website follows that calendar, based on the liturgical rhythm and the dates of those celebrations, presenting the cantata(s) for the day and playlists with those cantatas on three major audio streaming services.
We get your Sunday morning off to a gentle start in Hour 1 with a variety of shorter choral and organ works from the Renaissance through the 20th-century. Then a Bach cantata airs at approximately 9:00 a.m. A major choral work follows. A regular feature of the program is a commentary offered by a distinguished church musician or member of the clergy. Longer, major choral works such as oratorios, masses, and requiems air during hours 3 and 4. You can find links to detailed program notes in the schedule below.
A powerful setting of Jesus's final days, the St Matthew Passion was responsible for the resurgence of interest in JS Bach's sacred choral music after the composer's death. Here is our guide to understanding the work and our recommendations for its best recording
Find out more about JS Bach and his worksRead more reviews of the latest JS Bach recordingsWhich are the best music streaming services for classical music lovers
The early music choir the Sixteen has achieved unprecedented success with its bright, very English sound and accessible presentations. The Sixteen Edition, the series of which this Bach cantata disc is part, finds the group designated as \"The Voices of Classic FM,\" Britain's middle-of-the-road and widely popular classical music broadcaster; the choir shares airwaves, apparently, with Sarah Brightman and her contemporaries. It's all to the good, for anyone who hears the Sixteen will encounter top-notch performances of music from the fifteenth through the eighteenth centuries, and this Bach disc is one of the best in Coro's reissue series. Begin with the sound, which is exemplary despite the recording date of 1990; working with some of Bach's most intensely complex polyphonic choral movements, the performers and engineers produced a texture of rich, resonant clarity in the environment of St. Jude's church in London's Hampstead Garden Suburb. The opening Cantata No. 50 is just a single chorus, probably a surviving fragment of some larger work. But what a chorus it is! -- a giant eight-part piece with an orchestra including trumpets, oboes, and tympani. Sample the opening of track 3, the first chorus in the Cantata No. 34, \"O ewiges Feuer, o Ursprung der Liebe\" (O eternal fire, o origin of love), for a good example of the choir's virtuosity as it negotiates the vivid but brutal high-range passagework on the words \"ewiges Feuer.\" Also contributing to the recording's success is the period-instrument Symphony of Harmony & Invention, which featured future star Roy Goodman on violin. The Cantata No. 147, \"Herz und Mund und Tat und Leben,\" provides a delightful example of his gracefulness in the violin opening to the soprano aria \"Bereite dir, Jesu,\" which concludes with the famed \"Jesu, Joy of Man's Desiring\" chorale, here given a performance of unusual lightness and calm. There are spiritually deeper performances of Bach's cantatas, and more instrumentally virtuosic ones. For sheer direct appeal, however, these are hard to exceed.
The West London Bach Consort and Players under Sandy Burnett continues its complete performing cycle of Bach's surviving sacred cantatas. Featuring BWV30: 'Freue dich, erlöste Schar'; and BWV118: 'O Jesu Christ, meins Lebens Licht'. 153554b96e
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