Insurgent Movie In Hindi BEST
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Susan Wloszczyna spent much of her nearly thirty years at USA TODAY as a senior entertainment reporter. Now unchained from the grind of daily journalism, she is ready to view the world of movies with fresh eyes.
Many critics praised Shailene Woodley's performance, as well as some of the main cast. Writing for New England Movies Weekly Daniel M. Kimmel said, \"Woodley does solid work here as she's done elsewhere, and continues to be someone to watch.\"[67] Susan Wloszczyna of RogerEbert.com wrote, \"Woodley herself almost single-handedly saves these films from being just another overwrought dystopian nightmare.\"[68] Some critics have considered the film to be an improvement over its predecessor, with Kevin P. Sullivan of Entertainment Weekly writing that, \"Taken for what it is, Insurgent is a vast improvement over the franchise's first installment, mostly thanks to expansion in two arenas: budget and scope,\"[69] and Kenneth Turan of the Los Angeles Times calling it \"A more effective, adult-friendly film than its predecessor.\"[70] However, Insurgent still received a considerable amount of negative criticism; Richard Corliss of Time said that \"With its repeat itinerary, Insurgent is less a sequel than a remake. The movie has an ordinary middle-chapter scenario, and less The Empire Strikes Back than Attack of the Clones.\"[71] Joe Morgenstern of The Wall Street Journal felt that \"Insurgent opens new horizons of repetitiveness, dramatic shapelessness, self-seriousness and a generalized oppressiveness.\"[72]
On April 11, 2014, Summit Entertainment announced that a two-part film based on the final book in the Divergent trilogy, Allegiant, would be made. The first part, The Divergent Series: Allegiant, would be due for release on March 18, 2016, while the second part, The Divergent Series: Ascendant, would be released on June 9, 2017.[12][86] Shailene Woodley, Theo James, and Naomi Watts would reprise their roles.[87] On December 5, 2014, it was announced that Robert Schwentke would return to direct Part 1.[88] Principal photography for Allegiant began in Atlanta on May 18, 2015,[89][90] and concluded on August 23, 2015. On September 10, 2015, it was announced that the two films would be re-titled, with Part 1 being renamed as The Divergent Series: Allegiant and Part 2 as The Divergent Series: Ascendant.[91] On February 29, 2016, it was announced that Lee Toland Krieger will serve as the director for Ascendant after Robert Schwentke backed out.[92] On July 20, 2016, it was announced that Ascendant was put on hold due to Lionsgate's decision to release it as a TV movie, mainly due to the third movie Allegiant underperforming.[93] In December 2018, it was announced that the television movie was cancelled due to the lack of interest of the cast and network executives.[94]
The dystopian sequel incites a factionless rebellion on glorious Ultra HD Blu-ray with the help of a great-looking HEVC H.265 encode in HDR10, soaring to new heights and delivering an appreciable upgrade over its Blu-ray counterpart. But, like its predecessor, the results are not the night-and-day difference expected, which is not to say fans won't notice the many visible improvements throughout. As with the first movie, the stylized photography of Florian Ballhaus and the source used for this 4K edition have a great deal to do with the picture quality. It was shot on the Arri Alexa series of digital HD cameras with a max resolution of 3.4K while some sequences were filmed in true 4K resolution (4096 x 2160) thanks to the Phantom Flex4K and Red Scarlet high-speed digital cameras. The raw data was later mastered in 2K digital intermediate, and according to IMDb.com, a 4K source is available. However, it's uncertain which of the two was used, but considering the history of titles from Lionsgate and Summit, I suspect the studio likely upconverted the available DI elements rather than striking a new master.
But whatever the case may be, the freshly-minted digital transfer displays better definition and clarity of background information, exposing the small threading and stitching in the denim outfits. The textured fabric of the various jackets are resolute while the tiniest hint of rust on aging metal and giant concrete slabs are plainly visible, and viewers can make out every flaw and imperfection on the crumblings ruins of Chicago. The veins and fine lines in the leaves of surrounding foliage are distinct, and the rough edges of tree barks are razor sharp. While the majority of the photography looks splendid throughout, the best moments take place within the wooded section of Amity where every leaf moving on branches in the distance is crystal clear. Although not much brighter than the BD, the 2160p video also arrives with spot-on, pitch-perfect contrast and brilliant, crisp specular highlights that pop and make for a slightly more dazzling picture. Brightness levels display full-bodied blacks with exceptional gradational differences and poorly-lit sequences reveal the smallest object in the background while still able to see the distinction from the shadows and dark clothing. There are few murky spots, but overall, the movie looks great.
Rear activity is fantastic with several discrete effects when the action goes into high gear and many subtle atmospherics during quieter, more intimate moments. From beginning to end, the soundfield maintains an open and expansive sense of space where small details can be heard along the sides and in the back. In Atmos, utilizing the overhead speakers, the design fails to create the immersive 3D dome-like effect one would expect from the format, often times being noticeably silent in a coupe spots. That's not to say, the codec doesn't come with its moments, such as the film's opening segment when the voice of a Kate Winslet hologram convincingly travels from the front and over to the back, then moves back to sides and front again. The best segment for appreciating the Atmos track is the Dauntless and Amity Sim during the second half of the movie where debris and noise smoothly pan overhead and all around, creating a very satisfying and enveloping soundscape.
'Insurgent,' the second installment in 'The Divergent Series,' is guilty of the same crime most sequels commit: going bigger and louder with less substance. However, the movie amazingly manages to go a step further with a narrative that's more nonsensical than the first cleverly disguising a disdain for intelligence and filled with grossly melodramatic characters.
This Ultra HD Blu-ray arrives with a great-looking 4K video presentation. Though the heavily stylized photography is taken into consideration, it nonetheless offers some noteworthy and appreciable moments. Added to that, the movie arrives with the same excellent and satisfying Dolby Atmos audio presentation, joined by an identical collection of supplements featured in its Blu-ray counterpart. Overall, the package is recommended for loyal fans and early adopters enthusiastic about the new format.
INTERNECINErivalry between various Gorkha groups in the Darjeeling- Kurseong-Kalimpong region of West Bengal is going to turn even more violent following the murderous attack on Darjeeling Gorkha Hill Council (DGHC) Chairman Subhas Ghising on Saturday. The well-planned ambush almost killed him. No group has claimed responsibility but the police as well as Mr Ghising's supporters seem convinced that it was the handiwork of the Gorkha Liberation Organisation (GLO). The chief of the pro-Gorkhaland GLO, Mr Chhatra Subba, had recently threatened DGHC councillors with dire consequences if they did not resign from their seats by December 31. Meticulous planning for the attack as well as the sophisticated weapons used to execute it also indicates that the GLO indeed might be behind it. As is customary in West Bengal, there was an indefinite bandh in the area after the attack in which supporters of the GNLF leader systematically torched the offices of the All-Gorkha Students Union (AGSU) and the All-India Gorkha League. There are reasons to suspect that more such violence may erupt in the days to come. The sufferers will be the residents of the area who are already reeling under the never-ending cycle of violence and bandhs. The GNLF is suspecting a mole in its ranks who might have been informing the militants on the movement of Mr Ghising. The GNLF leader was on his way to Darjeeling from New Delhi after holding tripartite talks on the future of the DGHC and had changed his travel plans at the last minute. This could have become known to the assailants only if there was a spy with Mr Ghising, it is reasoned. The alarming thing is that one of the assailants who was gunned down by the escorts of Mr Ghising was from a Naga insurgent group which is believed to be training the GLO activists. Mr Ghising has been heading the DHGC for nearly a decade and his style of functioning has left much to be desired. In fact, the lack of development under his command is one of the contributory factors in the growth of insurgency. Mr Ghising himself has been advocating secession. Home Minister L.K. Advani was not keen to hold talks with him but was persuaded by Ms Mamata Banerjee to do so. Now that the attack has changed the scenario, the Bengal-centric Railway Minister has changed tack. She has tried to project it as the result of utter breakdown of law and order machinery in her parent state. The message is clear: sack the Buddhadeb Bhattacharya government somehow and make her the Chief Minister!
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